Digital Nature Revisited: A Ten-Year Synthesis of Art, Technology, and the Evolution of "Nature": Reimagining Post-Truth Ecologies Through Art, Algorithm, and Animism
Yoichi Ochiai, Takashi Shimizu
本文批判性地重新审视了“数字自然”,这个概念在过去十年中在各个领域激增。 通过“数字自然”,我们将不断演变的自然观点称为循环计算和物质的动态过程,该过程延伸到AI,XR,本土观点和后人类理论领域。 尽管它很受欢迎,“数字自然”的定义仍然模棱两可。 本文提供了对这个想法如何在媒体艺术,生物艺术和生成艺术中出现的,分歧和重叠的家谱和哲学调查,以及相关的东方,伊斯兰和土著世界观。 然后,我们引入了一个多轴框架(从真实/虚拟到以人类为中心/面向对象,具有魅力和物化子轴),说明了数字技术如何以意想不到的方式重新概念化了“什么是自然?”的问题。 最后,我们讨论了这个领域如何发展,特别是通过大型语言模型,AGI和“超自然现实”的镜头,同时强调了技术神秘主义的伦理和政治陷阱。 我们的最终目标是将“数字自然”重新定位为知识前沿和协作平台,邀请艺术,科学,技术和文化哲学之间的持续对话。
This paper critically re-examines "Digital Nature," a concept that has proliferated across various domains over the last ten years. By "Digital Nature," we refer to an evolving view of nature as a dynamic process of circulating computation and matter, one that extends into the realms of AI, XR, indigenous perspectives, and post-human theory. Despite its popularity, "Digital Nature" remains ambiguously defined. This paper provides a genealogical and philosophical survey of how the idea has emerge...
